Category Archives: Music

My thoughts about bands, music styles, ethnic music and related topics.

Open Mic at Cisco’s

Wherever I live or visit I try to find open mics or jam sessions at local clubs, Jazz or Blues if possible.  When I moved to Southfield MI I asked around at work and as it turned out the custodian there had a brother who played guitar and frequented a place called Cisco’s.  Eventually, one night, a friend took me there.  This is the story of my experience at Cisco’s.

Andy was a student worker at the university where I taught physics.  I didn’t have a car and he drove me around once in a while.  We went to Cisco’s for their weekly open mic and I have to say I was quite nervous.  It had been a couple years since I played out.  The leader of the house band, their bassist, comes over and sits with us for a couple minutes just to feel us out.  We’ll call him, Him, me, Me and Andy, Andy.  I remember the conversation pretty well but the quotes are me paraphrasing to the best of my recollection.

We had informal introductions and I told him I was from Chicago.

Him: “So, you guys want to jam tonight, what do you want to play.”

Me: “Anything really but mostly I’d like to play blues or jazz”

Him: “Well tell me, what do you mean “blues”, is there a particular song you want to do?”

Andy:  “Well, I know the British blues.”

Me: “I couldn’t name a particular song, I don’t play by the book note for note.  To me the blues is a pattern, the same pattern fast or slow, major or minor.  I know the 12 and 8 bar blues patterns pretty well so just give me a key and I’ll be fine.”

Him:  “Well what style of blues do want to play, Chicago style, Delta blues, …”

Me: “To tell you the truth I’d like to do Jazz, maybe All Blues, Footprints, Freddie the Freeloader, …”

Him: “Oh, I hear you.  I’d love to play some of that but just look around at these people.  They drive trucks and hunt deer.  They don’t want to hear that crap, it’s crap to them, they want to hear stuff off the radio, maybe we’ll play some Zeppelin if we’re lucky.”

Me: “That’s Ok, I just want to play.”

Him: “Well, Ok.  We’ll see, maybe just maybe at the end of the night we can squeeze you in for a song.  As you can see we got a lot of people lined up with their axes.”

So at this point Andy and I settle in to our booth thinking it’ll be a long night.  Mr. Bass gets up to the mic and the house band starts vamping as he addresses the audience.

Him: “Ladies and gentlemen welcome to Cisco’s Tuesday night open jam session.  We got a lot of regulars here tonight and were gonna have some fun!  But before we start we have a very special treat for you tonight, a blues man all the way from Chicago here as a special guest!  At least he says he can play the blues, but you all know what I say about folks from Chicago… (pause)… They’re a bunch of Fucking liars.”

Soooo, now the butterflies in my stomach are condors on steroids.  I get my guitar out as soon as I can and walk up.

Him: “Let’s give a big hand for Dave!  But wait until we hear if he can play.”

They start a tune, nothing elaborate a two chord vamp like Feeling Alright.  I ask the keyboard player for a key and get the cold shoulder, I look at the bassist’s hands and he turns his back to me.  So fuck it, I noodle around for a second till I find a common note then my ear kicks in.  I don’t have perfect pitch (few do) and I’m self conscious about my relative pitch but right now I figure if I just throw out Van Halen’s Eruption the crowd will go wild.  I start jamming and make them eat it.  They play that game for two songs, then the bassist turns and says “You all right man, damn you can play.”  As much as I like the complement I still want to punch his face into the back of his head.

Then he says, stay for the rest of the set.  They call tunes and the keyboard player flashes a few charts my way.  We’re cool now.  At the end of the set, as I’m about to unplug, the bassist says “encore” and throws out the opening riff to So What by Miles Davis (Fast version).  And there you have it, we did So What followed by All Blues to end the set.  I picked up two guitar students that night too.

But what a way to get introduced.  I swear these things only happen to me.

copyright 2014 David R Bergman

Buying Method Books

My philosophy on buying method books.

Way back in the late 80s when I started giving guitar lessons I had a student who was very proud of his guitar method book collection.  The only thing is that it was a collection of over 100 grade 1 method books.  I felt a little sorry for him regarding this point, but it did inspire me.

Now that I’ve been playing for 30 plus years and I have studied under a few professional guitarists, and other musicians, I feel like I can judge what information is good for me and worth learning, it’s not hit or miss.

I expect to pay over 50$ for a one hour lesson with a good teacher.  Most books even with a CD cost less than 30$.  So I figure if I can get one new lick, new technique, or learn a new perspective on an old theme, I’ve got my money’s worth.

So why not buy the books.  The only draw back is they take up space, and you need to be committed to reading through it and extracting the data.  You are your own teacher at this point.

I would not recommend this approach to a beginner, it’s no way to learn something for the first time.  With no experience you’ll always be wondering if you’re on the right track.  You need the feedback of an experienced person to guide you through the beginning.  But after you have a handle on things and know what things you need work on I think it’s well worth the money.

copyright 2014 David R Bergman

Metal Music and Virtuosity

I’ve been playing guitar for over 30 years and listen to all kinds of music.  I started listening to metal at an early age.  As metal evolved the instrumental side pushed the envelope with respect to technical playing.

Back in the day the metal bands on top were Iron Maiden, Judas Priest, Anthrax, Metallica, Mega Death, Slayer, just to name a few.  A few things these bands have (had) in common is a decent singer, very melodic vocals and for the most part very good guitarists, orchestrated songs with definite breaks and riffs that are paralleled among the instruments.  I have my favorites and least favorites from the list.  This is late 80s early 90s metal.

Fast forward to the Seattle Sound/Grunge movement.  Metal starts to go underground, i.e. not as main stream as it used to be.  Now you have a bifurcation of the standard metal template into several sub-genres.  Without getting too wordy about these details and to get to the point, metal (as I define it) got heavier, darker, faster (and faster) and for the guitars and drums (and bass too) more technically challenging.  The new metal singer, however, is what turned me off.  Anthrax and Slayer have pretty fast heavy music and yet the vocals of their songs still have melody.  Now it seems that the standard is a low growl.  This turns me off to most of the newer metal bands.

Case in point Decapitated.  When I first heard the beginning of Homo Sum every hair stood up, it’s an exciting song, excellent instrumental.  Then comes the growl and I just want to hear more drums and guitar.  However, the band is good enough for me to have purchased their latest album.  I am not completely disparaging the growlers, but I am comparing this to the classic metal style, which I miss.

Other great bands that push the technical envelope (in my opinion) are:

Dying Fetus (you have to hear their new album Reign Supreme)

Dimmu Borgir

Decapitated

Opeth (doesn’t quite fit the description I provided, they are somewhat progressive and melodic)

copyright 2013 David R Bergman